Pradeep Chandrasiri (1968)

“In the late 1980s the insurgency in southern Sri Lanka, spearheaded by the Marxist-oriented political party JVP, and the counter terror campaigns by state security forces unleashed waves of violence hitherto not experiences in the country. Tens of thousands of women and men were killed or disappeared. Thousands of people, many young, were tortured. Houses and buildings were damaged and burned. These were my teenage years.” – Pradeep Chandrasiri

PradeepChandrasiri is a product of the Institute of Aesthetic Studies at the University of Kelaniya, and is a prominent voice of the 90’s Art Trend in Sri Lanka. A founding member of the Theertha Artists’ Collective, Chandrasiri has widely exhibited his talents in painting, sculpture, installation art and theatre set design in Sri Lanka as well as Australia, USA, UK, Sweden, Japan and Austria. While engaged in his studio practice as a visual artist, he also works in the theatre landscape in design, and lectures on theatre set design across universities and schools in the country. 

 

Chandrasiri’s art is deeply personal, and often autobiographical. The politics of his art are derived from his memories of the 1980s as a young man preoccupied with his own responseto the civil war in Sri Lanka, having himself been a victim of a torture camp. The role political violence plays in people’s lives has been a constant theme in his works, leading to commentary on deeper issues such as the angst of life and the agonizing fear of death. The agonised and disturbed male figure is a recurring figure in his paintings, as though he is struggling to free himself of the traumas of torture and violence. His 2004 painting “The Cardboard Hero” is one such example of this agonised, local hero wearing a cardboard crown, restrained and darkened by atrocities of the ethnic conflict. The black backdrop defines the figure of the hero, highlighting the dark psychology of his existence, while the brush strokes of yellow and red suggest a need to break free from the repression and anarchy of the monochrome. The hero, therefore, although made of cardboard, embodies severe psychological and emotional torment caused by the war alongside a desire to liberate himself despite a fear of death. 

Chandrasiri’s signature creation “Broken Hands” is an installation that deals with the superstition surrounding the number 13. The personal enters when he identifies himself as a person born on the 13th day of a month, and delineates the distress he has thus far experienced in his personal life as a subject of the civil war via 13 panels that hold 13 broken hands in a funeral house. He uses the commonly available material of clay for the hands lying on wooden piles at different heights. As Sabine Grosser claims, using charcoal, oil lamps and betel leaves “he evokes impressions of local everyday culture which is not only limited to temples or museums.” In reference to the installation Chandrasirihimself said that the experience of creating and presenting it “was a reconciliation process, during which [he] tried to make sense of the conflict of which [he] was also a torture victim.” One of his more recent pieces of installation art is “Things I Told, Things Not Heard, and Things I Tell Now!” (2016) thatagain deals with the collective and personal wounds of war. A makeshift interrogation room and rubble is set in front of an enlarged black and white photograph of Chandrasiri himself, with a scar above his right ear. The installation, which was exhibited at the Aicon Gallery in New York at the Portraits of Intervention exhibition, highlights the photograph and the scar as remnants and memories of the dangers of the ethnic conflict that seem to be a part of the past. However, these remnants still require artistic questioning because memory is a part of what determines one’s identity, especially someone like Chandrasiri’s. His theatre set designs are also known to embody these aspects of war and how conflict can trigger existentialist thought, despite the scripted boundaries of a play.

Name of Exhibition Year Place
Youth Awards Festival Exhibition of Art 1995 National Youth Center, Maharagama, Sri Lanka
Lalithakala: Painting and Sculptures Exhibition 1995 Colombo, Sri Lanka
State Art Festival Exhibition 1996 National Art Gallery, Colombo, Sri Lanka
Youth Awards Festival Exhibition of Art 1996 National Youth Center, Maharagama, Sri Lanka
Pitaweema-97: Convocation Day Exhibition 1997 National Art Gallery, Colombo, Sri Lanka
Broken Hand 1997 Heritage Art Gallery, Colombo, Sri Lanka
Exhibition of Painting 1998 Kandy Arts Council, Kandy, Sri Lanka
State Art Festival Exhibition 1999 National Art Gallery, Colombo, Sri Lanka
No Order Group 1999 VAFA Gallery, Colombo, Sri Lanka
Artists for Peace: Flag Exhibition 2000 Selected Public Places, Sri Lanka
An Art Exhibition for Peace and Reconciliation 2000 Gallery 706, Colombo, Sri Lanka
A New Visual Vocabulary in Contemporary Sri Lanka 2000 VolsparkEnschede, Netherlands
Four Artists: Exhibition of Painting and Sculpture 2000 Lionel Wendt Art Gallery, Colombo, Sri Lanka
Four Artists: Exhibition of Painting 2000 The Havelock Place Bungalow, Colombo, Sri Lanka
Exhibition of Paintings 2000 Alliance Française de Colombo, Colombo, Sri Lanka
Crafty Thoughts 2002 University of Liverpool Art Gallery, Liverpool, UK
The Second Fukuoka Asian Art Triennial 2002 Fukuoka Asian Art Museum, Fukuoka, Japan
Serendipity – New Art from Sri Lanka 2003 The October Gallery, London, UK
Contemporary Sri Lankan Art 2004 G.T.Z. Office, Colombo, Sri Lanka
AhamPuram 2004 Public Library, Jaffna, Sri Lanka
Black Cloud Wall 2004 Long Gallery, University of Wollongong, Australia
Contemporary Sri Lankan Art 2005 Museum of far Eastern Antiquities, Stockholm, Sweden.
Contemporary Sri Lankan Art: Artists for Peace 2005 National Art Gallery, Colombo, Sri Lanka
Arte Curioso 2007 Theertha Red Dot Gallery, Colombo, Sri Lanka
Images of Globalisation 2007 National Art Gallery, Colombo, Sri Lanka
Art of PradeepChandrasiri 2007 Theertha Red Dot Gallery, Colombo, Sri Lanka
Artful Resistance: Crisis and Creativity in Sri Lanka 2008 Museum of Anthropology, Vienna, Austria
Theertha – Works on Paper 2009 National Art Gallery, Male, Maldives
Imagining Peace, 1st Colombo Art Biennale 2009 Colombo, Sri Lanka
Theertha @ 1 Shanthiroad 2011 Bangalore, India
(De)-inscribed Memories: PradeepChandrasiri and BanduManamperi 2011 Hempel Galleries, Colombo, Sri Lanka
Colombo Art Biennale 2014 Colombo, Sri Lanka
Test 2015 Test

Other Publicaitons the Artist has been mentioned in

Name of Book Year of Publication Author Printer

Ref :PC 7

Title :Night Over the Mountain (i)

Signed :Lower Right

Year :2008

Measurements in Cms :29 x 42

Material Used :Acrylic on Archival Paper

Dimensions in Cms. :29 x 42

Ref :PC 12

Title :Sky View (i)

Signed :Lower Right

Year :2008

Measurements in Cms :26 x 31

Material Used :Acrylic on Paper

Dimensions in Cms. :26 x 31

Ref :PC 14

Title :Untitled

Signed :Lower Right

Year :2008

Measurements in Cms :32 x 23

Material Used :Acrylic on Paper

Dimensions in Cms. :32 x 23

Ref :PC 2

Title :Whispering Mountain (xii)

Signed :-

Year :2013

Measurements in Cms :29 x 42

Material Used :Acrylic on Archive Paper

Dimensions in Cms. :29 x 42

Ref :PC 19

Title :Manna-IV.2013

Signed :Lower Left

Year :2013

Measurements in Cms :30 x 41

Material Used :Digital Print & Acrylic on Archival Paper

Dimensions in Cms. :30 x 41

Ref :PC 25

Title :Manna Series (xii), 2015

Signed :Front /Reverse

Year :2014

Measurements in Cms :29.7 x 42

Material Used :Print & Acrylic on Archival Paper

Dimensions in Cms. :29.7 x 42

Ref :PC 31

Title :Manna Series (xviii), 2015

Signed :Lower Right Front / Reverse

Year :2014

Measurements in Cms :29.7 x 42

Material Used :Print & Acrylic on Archival Paper

Dimensions in Cms. :29.7 x 42

Ref :PC 43

Title :My Shiva III

Signed :-

Year :2015

Measurements in Cms :155 x 150

Material Used :Acrylic on Canvas

Dimensions in Cms. :-

Ref :PC 44

Title :The Secrete Palace III

Signed :-

Year :2015

Measurements in Cms :100 x 113

Material Used :Acrylic on Canvas

Dimensions in Cms. :100 x 113

Ref :PC 45

Title :The Charcoal Mountain, Golden Sky and Interrogation Light III

Signed :-

Year :-

Measurements in Cms :100 x 113

Material Used :Acrylic on Canvas

Dimensions in Cms. :100 x 113

Ref :PC 46

Title :The Selfish IV

Signed :-

Year :2013

Measurements in Cms :120 x 90

Material Used :120 x 90

Dimensions in Cms. :120 x 90

Year Institute Qualification
1997 Institute of Aesthetic studies, University of Kelaniya, Sri Lanka BFA in Painting and Sculpture
2003 Postgraduate Institute of Archeology, University of Kelaniya, Sri Lanka Diploma in Archaeology